Traveler is Trey Anastasio's first studio solo album since 2009's orchestral art pop sleeper, Time Turns Elastic. Peter Katis was enlisted as co-producer; his r‚sum‚ includes work with the National, Interpol, and J¢nsi. Along with the Trey Anastasio Band (TAB), the credits are littered with guest appearances from violist and violinist Rob Moose (Bon Iver), vocalist Kori Gardner (Mates of State), and the National's Matt Berninger and Bryan Devendorf. There are a few completely new tracks here, while the balance includes studio takes on tunes played live by either TAB or Phish. As a solo artist, Anastasio's recordings are usually quite consistent, and Traveler is no exception. The set's first single is a new song, 'Scabbard.' Anastasio crams in his love of Frank Zappa, King Crimson, Radiohead, and pop music. Cove Reading Program Directions From Mapquest.

That said, it contains his signature ability to capture a simple melody -- in this case three, simultaneously -- and wrap them in an accessible but harmonically and dynamically adventurous package. His singing, along with help from backing vocalists Natalie Cressman and Jennifer Hartswick, makes the cut a clear standout. Also included here is the third, and perhaps most successful, studio version of 'Let Me Lie,' and a studio take on the labyrinthine, reggae-drenched prog that is 'Land of Nod.' And speaking of reggae, perhaps the album's biggest surprise is the cover of the Gorillaz's 'Clint Eastwood.' While the band has been playing it live for nearly two years, this reading underscores the punchy vocal by Hartswick. 'Valentine,' which appeared on the live TAB at the TAB in 2010, is treated to a horn-saturated workout here. And in spite of its weave of shimmering synths and tom-tom heavy drumkits and layered vocals, it feels nearly organic.

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Other highlights include studio versions of the elegiac ballad 'Frost' (with gorgeous strings courtesy of Rob Moose), and the raggedy pop/rocker 'Pigtail,' with its light, funky backbeat and locked-down bassline. Given all the recent activity by Phish and TAB, Traveler reveals that with its four brand-new songs and revisioned versions of live staples, Anastasio's creative force is healthy and his taste is, as ever, impeccable.

~ Thom Jurek.

Born Ernest Joseph Anastasio III in 1964, Anastasio attended Princeton Day School in Princeton, New Jersey, where he met future songwriting partner. As a teenager, he helped his mother, Dina, write songs for children's records. Pretty Pretty Princess Sleeping Beauty Edition Instructions more. At the University of Vermont, he teamed up with bassist, drummer Jon Fishman, and guitarist Jeff Holdsworth to form.

After being suspended from the university for a semester for a prank gone awry, Anastasio transferred to the highly experimental Goddard College outside of Burlington, where he studied intensely with composer Ernie Stires while writing and rehearsing 's complicated early material. Soon after, Holdsworth was replaced by keyboardist. Remained Anastasio's primary musical outlet for the duration of the '80s and the '90s, as his original work progressed from lengthy prog-influenced compositions, such as 'You Enjoy Myself' of the mid-'80s, to the more focused (though still complex) songs of Rift (1993). While placed more and more emphasis on group improvisation, Anastasio's charts gradually fell by the wayside. In 1996, he organized and produced Surrender to the Air, a big-band free jazz excursion with saxman, organist, avant-garde guitarist, experimental drummer Bob Gullotti, and many others. Though Anastasio was nominally the leader of the project, he played as an equal member of a large group of downtown heavyweights.

The transformation of Anastasio's work from composition-based to improvisation-based was completed in 1997 and 1998 with The Story of the Ghost and The Siket Disc, two releases chiseled out of hours of collective jamming overseen by producer John Siket. Anastasio's ongoing collaboration with also resulted in a bevy of new material, far too much for to assimilate into their already gigantic live repertoire. Though Anastasio brought some of the songs to his newly formed side trio, he still felt he was holding back. How To Install Gprof On Ubuntu Download.

Performed at a massively successful New Year's celebration in Big Cypress, Florida, and in 2000 came the release of Farmhouse (entirely written and produced by Anastasio), but given the band's increasingly unfocused live performances, decided to take a hiatus of an undetermined length beginning in October of that year. Anastasio went right to work, scoring an arrangement of the song 'Guyute' (one of his last multi-sectioned compositions) for the Vermont Youth Orchestra with mentor Ernie Stires. Following its performance, he hit the road with a horn-bolstered version of his side trio and almost a dozen new songs, many of which returned to the complicated work of years past. Soon after, he wrote and recorded an album with, a power trio including Anastasio, bassist, and former drummer, beginning a new chapter in his musical history. His time spent with was experimental, but not permanent. By early 2002, Anastasio prepped for his proper solo release for. His groovy cool self-titled album was issued that April and Anastasio returned to the road for a string of U.S.